Why Voldemort’s Harry Potter Death Concept Art Was Better (But Unusable)

While Voldemort’s Concept Art Death was certainly better than his movie death, it was a bit too disturbing for an already dark final episode.

Voldemort’s concept art death was a much better sight than his movie death to ashes, but was a bit too disturbing for the already dark Harry Potter final. When Voldemort turned to ashes, fans were left disappointed. In the books, Voldemort’s body was proof that he died like any average human. Although a Harry Potter The theory suggested that Voldemort’s death was a reflection of his character’s development in the movies as he gradually became less human, concept art by Andrei Ryabovitchev would have made his death in the movies so much better.

Voldemort’s disintegration to ashes was not only inconsistent with the books, but also with how his presence was portrayed in the rest of the film series. In Harry Potter at the Sorcerer’s Stone, Voldemort’s character was a soul in search of a host. This was made clear when his soul was shown floating away from Quirrel’s lifeless body in the final scenes of Harry’s battle with him. When Voldemort’s physical form takes shape before Harry in Harry Potter and the Goblet of Fire, his cloak was draped over him in a smoky darkness that provided an intimidating entrance for the nemesis of the wizarding world. The final films often used ghostly, smoky depictions of Voldemort’s soul. From the moment Harry saw Voldemort’s past in the Pensieve of Harry Potter and the Half-Blood Prince to when Ron fought off Voldemort’s Horcrux taunts in Harry Potter and the Deathly Hallows: Part 1the visual representation of Voldemort’s presence remained masked in a smoky, ghostly darkness.


Related: The Harry Potter Movies Got Lord Voldemort’s Death Wrong (And It Was Almost Worse)

Ryabovitchev’s concept art [via heyuguys] as Voldemort’s death not only looked better, but was much more consistent with how Voldemort was portrayed in the film series. Their disturbing nature prevented their actual use in the film lest the filmmakers alienate their young audiences since Voldemort’s nose is shown to be even more deformed. The various alternatives Riabovichev offered for Voldemort’s death showed that he wanted to incorporate the ghostly darkness that shrouded his portrayal in earlier films. The proposal of Voldemort’s soul as a lighter would have solved the inconsistencies in the books and movies. It retained the ghost theme of previous films and would have given a sharp contrast to its darker presentations. It also would have incorporated the book’s depiction of Voldemort as more human in death if the filmmakers wanted to add a layer of complexity to Voldemort’s villainy.

Voldemort: Harry Potter and the Deathly Hallows

However, this version of Voldemort’s death would have been a far more disturbing sight. Voldemort’s movie design change already made him scarier than in the books, but in this concept art his face was grotesquely distorted, which would have turned out to be a nightmare not only for their young audiences, but also for the more mature. These later films had gotten very dark by this point, and the filmmakers didn’t want to alienate viewers for the final installment in such an epic series.

This concept art had the potential to correct inconsistencies not only in cinematic depictions of Voldemort, but also in how he was presented in the books. There’s no denying, however, that it was a far more disturbing image than his last movie scene. Although Riabovichev’s concept art looked like a more compelling sight than his movie death scene, it showed the struggles filmmakers had in balancing their audience for a series like Harry Potter.

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